Ou kouè you éspion amérikin ka you sin protéktè dèza (Un agent de la CIA peut-il être un grand mécène)

This documentary, made in 1976, is a critique of naive painting in the Duvalierist era. It establishes the link between cultural and political context and deals in particular with the conditions of the emergence of this painting since the 40s, and the questions which it arises.